We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.

The Old Songs’ Home

by Shelley Posen

/
  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $10 CAD  or more

     

  • Compact Disc (CD) + Digital Album

    Comes with lyric booklet

    Includes unlimited streaming of The Old Songs’ Home via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 7 days

      $15 CAD or more 

     

1.
On a lonely street at twilight On my way home from the store I passed a run-down mansion I had never seen before The walls were cracked and peeling With ivy overgrown And a sign upon the threshhold Said, “The Old Songs’ Home.” Well, sometimes curiosity Is not to be denied I walked up to the open door And took a peek inside Soft echoes of a thousand songs At once caressed my ear But somehow I could hear each one Complete and crystal clear. In the Old Songs’ Home The old songs live together In the Old Songs’ Home When the world has passed them by They come here when their last note’s sung Unnoticed and unknown They echo here forever In the Old Songs’ Home. I heard shanties that helped raise the sails On a thousand clipper ships And hits from Tin Pan Alley Once on everybody’s lips I heard songs the cowboys sang their herds Where the buffalo used to roam But no coyotes answered In the Old Songs’ Home. I heard songs once sung in factory towns In logging camps and mines And songs that striking workers sang While walking picket lines I heard songs that played the Palace And the New York Hippodrome Each night they bring the house down In the Old Songs’ Home. I heard Young Monroe swap stories With The Boy That Wore the Blue While Phil the Fluter danced a jig With Johnny Macadoo I heard She-e-rry sing doo wop With Mr. Earl and Honeycomb They still meet on the corner In the Old Songs’ Home. Well, every old song has a dream That glimmers now and then Of living in the world once more And being sung again My friends, if you love singing— Low, high, or monotone— There’s an old song waiting for you In the Old Songs’ Home.
2.
Oh, we’re sitting by the wayside, Jim, where we sat long years before When Murphy kept the tavern and when Patsy kept the store When the whisky flown in splendour, Jim, like water from the brook And you and I together our daily bitters took. Oh, the times they now are changing, Jim, and men are changing too Some of them are trying for to put rum sellers through But the stuff they call cool water is no good for you and I We'll haul the cork with pleasure and we'll drink the old jug dry. Oh, they say that in our old glasses, Jim, ten thousand graves are dug Snakes and serpents of all kind are seen in our old jug But let them say whate’er they may about both you and I We'll haul the cork with pleasure and we'll drink the old jug dry. Oh, now my song is ended and I hope there is no offence And together we'll sit down here, Jim, all by the old rail fence Where the moon shone down in splendour, Jim, upon both you and I And the little stars did twinkle as we drank the old jug dry.
3.
They met in a diner at Fifth and Berliner She was waiting on tables when he walked in the door As he ordered a rare steak and strawberry shortcake Both knew that the other was their sweet paramour. CHORUS He’s whisky, she’s soda, he’s Luke and she’s Yoda He’s a birchbark canoe, she’s a clear mountain lake He’s a hand, she’s a glove, two people in love He’s a tall glass of milk and she’s chocolate cake. Their friends were delighted to see them united It was clear what an excellent couple they’d make And everyone wore a smile as they strode down the aisle They looked just like the figures on their wedding cake. Well, the babies came quickly, their little feet tickly The days filled with diapers and dishes and dolls She quit her job waiting tables, he installed TV cables And on Sunday they had pancakes for brunch at the mall. There’s no more to tell you, they’re all doing well, you Should drop in and see them if you ever pass by Have some coffee and teacake, always fresh brewed and just baked You can tell them you saw me, and say I say hi.
4.
Out along the harbour reach Boats stand dried up on the beach Ghost-like in the early dawn Empty, now the fish are gone. What will become of people now? Try to build a life somehow Hard, hard times are back again No more fish, no fishermen. No more shoppers in the stores Since the fish plant closed its doors Men who walked a trawler’s decks Now line up for welfare cheques. There’s big “For Sale” signs everywhere Pockets empty, cupboards bare See it on the news at ten— No more fish, no fishermen. Once from Ship Cove to Cape Race Port aux Basques to Harbour Grace Newfoundlanders fished for cod Owing merchants, trusting God. They filled their dories twice a day They fished their poor sweet lives away They could not imagine then No more fish, no fishermen. Back before the Second War We could catch our fish inshore Boats were small and gear was rough We caught fish, but left enough. And now there’s no more fish because The trawler fleets took all there was We could see it coming then— No more fish, no fishermen. Farewell now to stage and flake Get out for the children’s sake Leave all friends and kin behind Take whatever job you find. There’s some that say things aren’t so black They say the fish will all come back Who’ll be here to catch them then? No more fish, no fishermen.
5.
“Sweetheart, it's time I bid you goodbye,” murmured a youth one day “Off to a new land my fortune to try, ready to sail away.” “Must we be parted?” this maid softly cried, “I cannot let you go” “Dear, I must leave you,” he gently replied, “just for a while, you know.”" Far, far away in Australia, soon a sad fate proved kind I am patiently waiting for the girl I left behind If in success or in failure, I will always be true Toiling all day in a land far away, building a home for two. “Sweetheart, this parting must not be fore long, here there is no work for me While over there they are willing and strong, plenty of work there be Why should I waste the best years of my life? Let me my fortune try! Think of me toiling for money and wife—old Ireland, I'll say goodbye.”" Far, far away in Australia, soon a sad fate proved kind I am patiently waiting for the girl I left behind If in success or in failure, I will always be true Toiling all day in a land far away, building a home for two. Daily she goes to the old garden gate as the sun sinks to rest Hoping there a message she'll find to charm her aching breast Dreaming of one who is far, far away, toiling the whole day through Till a sweet message came to her one day, proving his words were true. Far, far away in Australia, soon a sad fate proved kind I am patiently waiting for the girl I left behind If in success or in failure, I will always be true Toiling all day in a land far away, building a home for two.
6.
When my day’s work is done and it hasn’t been fun And I need someone cool, calm, and sane I know what I’m prime for, I know that it’s time for Having a drink with Jane When what’s pissing me off is the gang at the office And work is befogging my brain The thing that I pray for the end of the day for Is having a drink with Jane. Some crave their tête à tête’s vodka-“tomaytah” Juice with tabasco and lime It doesn’t much matter, as long as the chatter Is with the right person at the right place and time The decor is too bright, and the waiter’s half tight And the jazz ain’t exactly Coltrane The joint isn’t classy, no white wine with “cass-y” Where I have a drink with Jane But when the world is too cold and I’m feeling too old For the lust after lucre and gain I forget about pelf and renew myself By having a drink with Jane. We sit at a table, squeeze in if we’re able Or stand at the bar, don’t complain We drink Bloody Marys, martinis or sherries Or perhaps if it suits, we have flutes of champagne When the pros are all con and the pressure is on And I’m tired of life in the fast lane There’s nothing more calming, more soothing—embalming!— Than having a drink with Jane Well they’ve stolen my bike, and the cabs are on strike And I see I’ve just missed my last train But what do I care when I pull up my chair And have one more drink with Jane? Department disasters, or soi-disant “masters” The talk’s always light and urbane Of how to make paté, or find jerbe mate Or outlets for bargains and furniture stain Well, I hate to say so, but I really must go For that feeling’s come o’er me again Since I’ve started this song, it’s been far, far too long Since I last had a drink with Jane.
7.
Come all of you broken hearted young men, a warning take by me Beware of all false maidens and shun their company I courted a farmer’s daughter for three long years or more And to prove constant to me she vowed it o’er and o’er. But now she’s gone and left me, this world I’d give to know It's by her friends I’m slighted no matter where I go This maid was young and innocent, the truth to you I’ll tell Her parents did encourage us from first in love we fell. Her parents did encourage us from first I went her see [sic] Until a wealthy bleacher lad they found this fault with me They said, “He has no money,” they slighted me therefore They said, “He may have 50 pounds, I’m sure not any more.” It was on the following Sunday as usual I did go Down to her father’s dwelling not knowing things were so It was there she plainly told me she would not marry me But on the following Monday the bleacher’s bride she’d be. “You can go and wed your bleacher lad and think no more of me Don’t think I am downhearted to blame all lies on me Don’t think I am downhearted because you proved untrue Sure, I can find another sweetheart perhaps as good as you. Now I hope you will be happy as the Foot of Collins Hill And if ever I chance to pass that way which I do suppose I will I’ll call in and see the girl I loved at the foot of Collins Hill.”
8.
Every Day 02:15
Every day, it’s a getting closer Going faster than a roller coaster Love like yours will surely come my way A-hey, a-hey, hey Every day, it’s moving faster Everyone said, “Go ahead and ask her!” Love like yours will surely come my way A-hey, a-hey, hey Every day seems a little longer Every way love’s a little stronger Come what may, do you ever long for True love from me? Every day, it’s a getting closer Going faster than a roller coaster Love like yours will surely come my way A-hey, a-hey, hey
9.
Come all you gallant poachers and listen unto me I’ll tell you of the sport we had upon the range so free To poach some fish was our intent as you may understand To dine, to sup, to serve them up and so our menu planned. Our valiant crew set forth at dawn the market for to wander There many’s a noble fish we saw—pike, tuna, bass, and flounder Till passing by a tiny stall we spied upon the ice A salmon great meant for the plate—we bought him in a trice. His scales they shone like silver, his tail was broad and flared His eyes were clear as window glass and at us fiercely glared His teeth were sharp as scimitars, his gills a ruby red As grand a fish as we could wish to feed or to be fed. Now one of us suggested that we slice him into steaks And grill them on the barbecue to serve with crisp corn cakes The rest of us were much dismayed and said t’would be a shame For t’was our goal to poach him whole and so we did proclaim. We bore that great fish home, my boys, we scaled him clean and neat We found a kettle long enough for him to lie in straight We swaddled him in cheesecloth and with string so trimly trussed Like old King Tut we laid him out in his sarcophagus. We poached that fish with herbs and wine ten minutes to the inch We verified that he was done all with a tender pinch We drew him gently from the broth and ere he could grow cool The cloth unwrapped, with sauces napped as bright as any jewel. The first bite that we took, my boys, it made us for to wonder That fish so moist and flavourful, neither overdone nor under We feasted long into the night with wives and children dear We ate our fill, from tail to gill, of salmon without peer. So now we’ve eat that fish, my boys, and homeward we disperse We’ll praise fish poachers everywhere in melody and verse We’ll drink a glass of good white wine and pledge undying love To those that cook and do not shirk the kitchen and the stove.
10.
I’m a poor wand’ring pedlar my name it is Jack My clothes are all tore and they hang off my back My insides are empty my feet are all sore Won’t you buy a case of needles from Jack now so poor. Case of needles won’t you buy one You’ll buy one I’m sure Just buy a case of needles From Jack now so poor. I once had a table and well lined with food And everything on it was everything good But now I have no table and none such of that I’ve always to eat from the crown of my hat. Case of needles .... I once was a farmer and followed my plough But now I’m a dandy, just look at me now I once had good clothing from bottom to top But now I resemble a walking rag shop. Case of needles .... I once had a kerchief and a pocket before Well lined with killarney and notes oh galore But since my misfortune has proved so unkind I’ve always to wipe with whatever I find. Case of needles .... Kind friends I must leave you and bid you adieu And oh, how it grieves me to leave all of you To leave such kind faces, but when I come back You’ll buy a case of needles from old pedlar Jack. Case of needles ....
11.
You loyal hearted Irish boys, attend to what I say The lines are true I now tell you I’m going to relate It’s of an Irish immigrant in the town of Temple Moor Seeking for employment came to Columbia’s shore. William O’Brian was this young man’s name, the subject of my song Before the cruel war broke out, to America he come He was of noble bearing, his spirit light and free And with the draft he joined the north against the enemy. In the Philadelphia regiment I mean to let you know O’Brian in many a battle fought against the southern foe The major’s daughter fell in love with him as you will plainly see Her father swore and was resolved to prove his destiny. On March the fifth at New Orleans, as you will plainly hear He did insult the soldier boy upon the battle square “ You may thank your daughter,” said O’Brian, “or else I’d end the strife,” The major then a sword he drew and tried to take his life. O’Brian then a pistol drew with an eye both sharp and keen And like a gallant soldier, he quickly took his aim In order to defend himself he fired that fatal ball Which lodged all in the major’s breast and caused the tyrant fall. When the report was heard the guards did him surround He was taken prisoner, strong arms were quickly bound Court martial on O’Brian then was held immediately And he was sentenced to be shot far from his counteree. His coffin was got ready, he was ordered to kneel down A sergeant with a handkerchief, his eyes were firmly bound By a holy priest from Carmeltown he was prepared to die In hopes for to get pardoned from the Lord that rules on high. They were ordered to fix bayonets, get ready, present, and fire Before they could get ready, the major’s daughter did appear With a voice as loud as thunder, saying, “Come set this prisoner free For here’s a letter for his reprieve that’s granted unto me.” She quickly stepped up to O’Brian, she took him by the hand Saying, “Rise up, my bold Tipp’rary lad, you are now at my command, ‘ Tis true that I’m in love with you, though you’ve taken my father’s life And he had vowed and sworn that I ne’er would be your wife.” Now to conclude and finish and to see what love could do She got married to O’Brian and proved both loyal and true She saved him from that fatal ball, her dear and only joy She is now in New York City with her bold Tipp’rary boy.
12.
I went to a party, it was on a Friday night And I couldn’t hardly get inside the door There must have been a hundred people jammed in every room Dancing if they found a piece of floor I spied a pretty gal with a twinkle in her eye Just as fresh and perky as an ingenue I asked her if she danced and she grinned at me and said “You bet your sweet patootie that I do!” We danced and we danced and we danced a little more We were working up a hearty appetite So we grabbed our coat and hat and we headed out the door And we found a quiet place to have a bite We ate and we talked and we talked a little more And it wasn’t hard to see what might ensue I asked her, “Do you wanna?” and she grinned at me and said “You bet your sweet patootie that I do!” Now you know I love my sweetie when the stars come out at night And when the morning sun is overhead I love her in the winter when the snow is on the ground And when the autumn leaves are turning red I love her when she’s happy, I love her when she’s sad But I’ll tell you something strictly entre nous I love her best of all when she grins at me and says “You bet your sweet patootie that I do!”
13.
If he’s gone, let him go, let him sink or let him swim If he don’t care for me, well, I surely don’t for him But why should I care, I’m so happy, young, and free And I can find another one when he is gone from me. He loved me just a little bit like the dew upon the corn Put it on in the evening time, took it off at morn But why should I care, I’m so happy, young, and free And I can find another one when he is gone from me. He was small and he was pretty and his ways were oh, so neat Isn’t it a pity he’s so full of his deceit But why should I care, I’m so happy, young, and free And I can find another one when he is gone from me.
14.
I won’t dance the last waltz with you For who knows just where it may lead Walking you home ‘neath the pale moonlight Might prove dangerous indeed Your hand in mine as we strolled down the lane Talking till one, two, or three Oh, I know for sure we’d be taking a chance If you danced the last waltz with me. I won’t dance the last waltz with you For you know I’d be waltzing on air Head over heels as we danced round the room Much too light-hearted to care Holding you close in a final embrace After the music was through Well, I couldn’t promise I’d ever let go If I danced the last waltz with you.

about

About two hours northwest of Ottawa, on the Quebec side of the Ottawa River, lies a cluster of villages—Chapeau, Demers Centre, Chichester, Nicabeau, Sheenborough—where singing once flourished among the logger-farmer descendents of Irish and French-Canadian pioneers. I lived there for a while during the mid 1970s, researching local folksong traditions. This album is dedicated to the memory of Aloysius (“Loy”) Gavan (1909 - 1992) who befriended me during my stay. He was a dear
man and a lovely singer. He taught me some of the finest songs I know.

All songs are in the public domain unless otherwise noted.

credits

released January 1, 2003

WITH: James Stephens and Danny Artuso, Ian Babb, Michael Ball, Jody Benjamin, Phil Bova, Jr., Greg T. Brown, Ian Clark, Ann Downey, Duncan Gillis, Vince Halfhide, Denis Lanctôt, Pierre-Yves Martel, Ian Robb, and Joey Wright.

license

all rights reserved

tags

about

Shelley Posen Ottawa, Ontario

SHELLEY POSEN is a Canadian songwriter and performer of his own and traditional songs. He writes in many styles and on many subjects. His songs are widely recognized for their wit, craftsmanship, and the profound effect many seem to have on listeners.

contact / help

Contact Shelley Posen

Streaming and
Download help

Redeem code

Report this album or account

If you like Shelley Posen, you may also like: